{"id":43,"date":"2011-08-19T14:02:05","date_gmt":"2011-08-19T14:02:05","guid":{"rendered":"http:\/\/joshuagooch.com\/?page_id=43"},"modified":"2025-08-21T09:50:39","modified_gmt":"2025-08-21T13:50:39","slug":"publications","status":"publish","type":"page","link":"https:\/\/joshuagooch.com\/?page_id=43","title":{"rendered":"Joshua Gooch – Film, Literature, and Marxism"},"content":{"rendered":"\n
\n
\"Cover<\/a><\/figure>\n\n\n\n
\"Cover<\/figure>\n\n\n\n
\"Cover<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Books<\/strong><\/h2>\n\n\n\n

Capitalism Hates You: Marxism and Horror<\/em>. University of Minnesota Press, 2025.<\/a><\/p>\n\n\n\n

Dickensian Affects: Charles Dickens and Feelings of Precarity<\/a><\/em>, Routledge, 2020.<\/a><\/p>\n\n\n\n

The Victorian Novel, Service Work, and the Nineteenth-Century Economy, <\/em>Palgrave Macmillan, 2015.<\/a>
<\/p>\n\n\n\n

What’s The Victorian Novel, Service Work, and the Nineteenth-Century Economy<\/em> about?<\/a>
<\/p>\n\n\n\n

<\/p>\n\n\n\n

Book chapters<\/strong><\/h2>\n\n\n\n

“<\/a>The Anxiety of Inheritance: Work and the Impasses of Accumulation in Dickens\u2019s The Old Curiosity Shop<\/em>.\u201d Political Economy, Literature, and the Formation of Knowledge,<\/a> <\/em>edited by Richard Adelman and Catherine Packham, Routledge, 2018, pp. 183-202.<\/p>\n\n\n\n

\u201cVictorian Fiction and Finance.\u201d In Teaching Victorian Literature in the 21<\/a>st<\/a><\/sup>Century: A Guide to Pedagogy,<\/a> <\/em>edited by Jen Cadwallader and Laurence W. Mazzeno, Palgrave, 2017, pp. 69-82.<\/p>\n\n\n\n

\u201cBeyond Panopticism: The Biopolitical Labor of Surveillance and War in Contemporary Film.\u201d In Philosophy of War Films<\/a>, <\/em>edited by David LaRocca, University of Kentucky Press, 2014, pp. 155-78.<\/p>\n\n\n\n

\u201cObjects \/ Desire \/ Oedipus: Wes Anderson as Late Capitalist Auteur.\u201d In The Films of Wes Anderson: From Early Shorts to Blockbuster Films<\/a><\/em>,<\/a> edited by Peter Kunze, Palgrave, 2014, pp. 181-98.
<\/p>\n\n\n\n

<\/p>\n\n\n\n

Articles<\/strong><\/h2>\n\n\n\n

\u201c\u2018Damn All White Men and Down With Labor\u2019: Race and Genre in Wilkie Collins & Charles Fechter\u2019s Black And White<\/em>.\u201d Nineteenth Century Theatre and Film<\/em>, vol 49, no. 1, 2022, pp. 71-87, https:\/\/DOI: 10.1177\/17483727211041850<\/a><\/p>\n\n\n\n

\u201c\u2018Imbecile Hopes\u2019: Dispositions of Subjectivation in Joseph Conrad\u2019s Lord Jim<\/em> and Nostromo<\/em>.\u201d Textual Practice<\/em>, 2021, https:\/\/doi.org\/10.1080\/0950236X.2021.1900367.<\/a><\/p>\n\n\n\n

\u201cTarantino\u2019s Cruel Optimisms.\u201d LIT: Literature Interpretation Theory,<\/em> vol. 30, no. 1, 2019, pp. 5-24, https:\/\/doi.org\/10.1080\/10436928.2019.1560877.<\/a><\/p>\n\n\n\n

\u201cFigures of Nineteenth-Century Biopower in Samuel Butler\u2019s <\/a>Erewhon.”<\/a> Nineteenth-Century Contexts,<\/em> vol. 36, no. 1, 2014, pp. 53-71.<\/p>\n\n\n\n

\u201cBlack Friday: The Collapse of Overend, Gurney, & Co. on 11 May 1866.\u201d<\/a> BRANCH: Britain, Representation and Nineteenth-Century History.<\/em> Ed. Dino Franco Felluga. Extension of Romanticism and Victorianism on the Net. Web.\u201cMilitants and Cinema: Digital Attempts to Make the Multitude in Hunger<\/em>, Che<\/em>, Public Enemies<\/em>.\u201d Wide Screen<\/em> vol. 3, no. 1, 2011, pp. 1-36.<\/a><\/p>\n\n\n\n

\u201c\u2018The Shape of Credit\u2019: Imagination, Speculation, and Language in Nostromo<\/em>.\u201d Texas Studies in Literature and Language<\/em> vol. 52, no. 3, 2010, pp. 266-97.<\/p>\n\n\n\n

\u201cNarrative Labor in Wilkie Collins\u2019s The Moonstone<\/em>.\u201d Lit: Literature Interpretation Theory<\/em> vol. 21, no. 2, 2010, pp. 119-43\u201c\u2018Making a Go of It\u2019: Paternity and Prohibition in the Films of Wes Anderson.\u201d Cinema Journal<\/em> vol. 47.1 (2007): 26-48.<\/p>\n\n\n\n

Short Pieces<\/strong><\/h2>\n\n\n\n

Review of Bruce Robbins The Beneficiary <\/em>in Canadian Review of Comparative Literature <\/em>vol. 46, no.3, 2019, pp. 519-22.<\/p>\n\n\n\n

\u201cWork.\u201d Victorian Literature and Culture <\/em>vol. 46, no. 3-4, 2018, pp. 948-50. https:\/\/doi.org\/10.1017\/S1060150318001262<\/p>\n\n\n\n

\u201cThe Ending of David Lean\u2019s Great Expectations.<\/em>\u201d Streaky Bacon <\/em>(2015). <\/a><\/p>\n\n\n\n

Review of Anna Kornbluh\u2019s Realizing Capital <\/em>in Nineteenth-Century Prose <\/em>42.2 (2015): 370-3.<\/p>\n\n\n\n

\u201cSamuel Butler.\u201d The Encyclopedia of Victorian Literature. <\/em>Ed. Dino Felluga, Pamela K. Gilbert, and Linda K. Hughes. New York: Blackwell Publishing, 2015.<\/p>\n\n\n\n

Joshua Gooch and Sara Sullivan. \u201cIntroduction: Work.\u201d Iowa Journal of Cultural Studies<\/em> 12\/13 (2010): 3-7.<\/a><\/p>\n\n\n\n

\u201cIntroduction: Waste.\u201d Iowa Journal of Cultural Studies<\/em> 10\/11 (2009): 3-8.<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Podcast appearances<\/strong><\/p>\n\n\n\n

Struggle Session: <\/strong>https:\/\/open.spotify.com\/embed\/episode\/2fri37BAaEAUnAIqEEsde6?utm_source=generator<\/a><\/p>\n\n\n\n

University of Minnesota Press podcast: <\/strong>https:\/\/share.transistor.fm\/s\/535654e1<\/a><\/p>\n\n\n\n

Find me on BlueSky<\/a><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Capitalism Hates You: Marxism and Horror. University of Minnesota Press, 2025.<\/p>\n

Dickensian Affects: Charles Dickens and Feelings of Precarity, Routledge, 2020.<\/p>\n

The Victorian Novel, Service Work, and the Nineteenth-Century Economy, Palgrave Macmillan, 2015.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"jetpack_post_was_ever_published":false,"footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry"],"aioseo_notices":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P87LSW-H","_links":{"self":[{"href":"https:\/\/joshuagooch.com\/index.php?rest_route=\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/joshuagooch.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/joshuagooch.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/joshuagooch.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/joshuagooch.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=43"}],"version-history":[{"count":21,"href":"https:\/\/joshuagooch.com\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":3518,"href":"https:\/\/joshuagooch.com\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions\/3518"}],"wp:attachment":[{"href":"https:\/\/joshuagooch.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}