{"id":196,"date":"2016-05-10T19:30:05","date_gmt":"2016-05-10T19:30:05","guid":{"rendered":"http:\/\/joshuagooch.com\/?p=196"},"modified":"2016-05-10T19:30:05","modified_gmt":"2016-05-10T19:30:05","slug":"new-project-on-character","status":"publish","type":"post","link":"https:\/\/joshuagooch.com\/?p=196","title":{"rendered":"New project: On character"},"content":{"rendered":"<p>I\u2019m trying to think through ideas for a new project about Victorian character, economics, the professions, and war. To start, I want to focus on Mill and character. When it comes to literature and economics, critics often, rightly, treat character as a function of credit, and it is in many respects both the foundation of personal credit and a trope readily mapped to eighteenth-century texts like Defoe\u2019s <em>Roxana<\/em>. As a Victorianist, I\u2019ve long thought of character in this way while acknowledging that it is also part of a broader discourse of character that operates in tandem with notions like respectability and gentlemanliness. For this reason, JS Mill\u2019s discussion of character in his <em>Logic <\/em>is far more pivotal than one might expect, both for what Mill has to say about individual and national characters and about the difference between his proposed science of character, what he calls Ethology, and political economy.<\/p>\n<p>Here are the basics of character for Mill. Mill argues for character-based determinism: \u201cour actions follow from our characters, and our characters follow from our organization, our education, and our circumstances\u201d (26). <em>Circumstances <\/em>are crucial to Mill\u2019s discussion of character throughout the final book of the <em>Logic, <\/em>since a science of character that encompasses an entire society finds itself hemmed in by the manifold nature of the circumstances that an analysis must take into account. Circumstances also provide the crux for Mill\u2019s argument that his determinism, which he calls Necessitarianism, differs from fatalism. Mill\u2019s basic point is that one can alter one\u2019s character by altering one\u2019s circumstances. One might call this Mill\u2019s Victorian logic of self-improvement: I am who I am because of my circumstances but I can strive to alter my circumstances and thus myself. By contrast, fatalism sees no possibility for such alteration. (Hardy\u2019s use of fatalism in <em>Tess of the d\u2019Urbervilles, <\/em>for example, seems a rejoinder to Mill\u2019s argument here.) One can intervene at the level of circumstance. Mill writes:<\/p>\n<blockquote><p>They made us what they did make us by willing not the end, but the requisite means; and we, when our habits are not too inveterate, can, by similarly willing the requisite means, make ourselves different. If they could place us under the influence of certain circumstances, we in like manner can place ourselves under the influence of other circumstances. We are exactly as capable of making our own character, <em>if we will<\/em>, as others are of making it for us. (26-7)<\/p><\/blockquote>\n<p>In other words, one may will a new set of circumstances or means, and these may shape character if the habits that make up that character \u201care not too inveterate.\u201d<\/p>\n<p>Mill\u2019s approach indicates that character has to be shaped indirectly, but the process of character shaping relies on a purposeful remaking of means to achieve a particular end.<\/p>\n<p>So far, so good\u2014and about what one would expect to find in Mill given Stefan Collini\u2019s account of character and Mill in <em>Public Moralists. <\/em>I\u2019ll return to Collini in another entry. For the moment, three questions come to mind as I look at this material: 1) How can one tell if a habit is too inveterate? 2) If character must be reshaped indirectly, how successful can a purposeful (i.e., ends-focused) reshaping of circumstances be? and 3) What does Mill mean by \u201c<em>if we will<\/em>\u201d\u2014including his emphasis of the phrase? The first question I can\u2019t answer yet. I am tempted to believe Mill would call a habit inveterate if it were simply too appetitive, but the issue isn\u2019t taken further in the <em>Logic<\/em>. The second and third, however, receive more explication. Mill\u2019s insistence that one can alter one\u2019s character seems to rely as much on a sense that one could alter one\u2019s character as the reality that one does alter it. He continues:<\/p>\n<blockquote><p>this feeling of being able to modify our own character <em>if we wish, <\/em>is itself the feeling of moral freedom \u2026 A person feels morally free who feels that his habits or his temptations are not his masters, but he theirs; who even in yielding to them knows that he could resist; that were he desirous of altogether throwing them off, there would not be required for that purpose a stronger desire than he knows himself to be capable of feeling. (27)<\/p><\/blockquote>\n<p>What strikes me in this passage is Mill\u2019s focus on the \u201cfeeling\u201d of possible change, highlighted by the repetition of the emphatic \u201c<em>if<\/em>.\u201d Moral freedom is the experience of a virtual space in which one <em>may<\/em> alter \u201chabits or \u2026 temptations\u201d\u2014an interesting combination of skill\/repetition and desire\u2014rather than the experience of alteration as such. The notion is reminiscent of the problem of impulse and character in Stevenson\u2019s <em>Jekyll and Hyde, <\/em>in particular the apparent laxness of morals that Utterson finds acceptable for gentlemen in the opening chapters. Good character is the knowledge that one could resist habit or temptation, not that one does. This sounds like hypocrisy, and one can readily locate versions of Victorian hypocrisy that fit such a description, but I\u2019d hazard that Mill wants to specify something quite different. There\u2019s habit, temptation, and the space of feeling in which one can insert difference or unmoor what seems so stable. Is this related to James\u2019s specious present or the problem of habit as the experience and elision of the present that Massumi locates in <em>Ontopower<\/em>? What is this feeling, and how does it work?<\/p>\n<p>One way to think about this issue is to look at how Mill describes habits. Temptations aren\u2019t suitable for discussion, apparently. Habits, he writes, are formed through acts of will that anticipate pleasure or pain, but that \u201cwe at last continue to will it without any reference to it being pleasurable\u201d (29). Habit dislocates will from utilitarian considerations and their repetitions become what Mill calls \u201cpurpose\u201d (ibid.) before insisting that \u201conly when our purposes have become independent of the feelings of pain or pleasure from which they originally took their rise that we are said to have a confirmed character\u201d (ibid.). In sum, from habit to habitus. A feeling of potential difference in respect to habit, then, offers a way to trouble the habitus, to render one\u2019s character unconfirmed.<\/p>\n<p><em>Next: How this dislocated feeling relates to political economy and Ethology as a search for a study of feelings than the greed via a surfeit of circumstances.<\/em><\/p>\n<p>Works Cited<\/p>\n<p>Mill, John Stuart.\u00a0<em>The Logic of the Moral Sciences.\u00a0<\/em>La Salle, IL: Open Court, 1988.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I\u2019m trying to think through ideas for a new project about Victorian character, economics, the professions, and war. To start, I want to focus on Mill and character. When it comes to literature and economics,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4,14],"tags":[16,15],"class_list":["post-196","post","type-post","status-publish","format-standard","hentry","category-academic","category-new-project","tag-character","tag-john-stuart-mill"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"I\u2019m trying to think through ideas for a new project about Victorian character, economics, the professions, and war. 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