joshua gooch


Category: new project

Polanyi via Stiegler

I recently finished Stiegler’s For a New Critique of Political Economy, and was struckby his argument that the role of machinery in economic production, a la Simondon, means “it is possible for the individual of the technical system to proceed in a way that is contrary to the individuation of social systems and psychic apparatuses” (99). In essence, this means that the social world becomes a process focused on the production of technical individuals, and that this has nothing to do with human individuation but rather privileges economic production in and of itself.

As I pondered Stiegler’s idea, though, it seemed more and more familiar. Isn’t this argument, in its basic contours, similar to the double movement that Karl Polanyi describes in The Great Transformation? It’s certainly similar. Using anthropological research, Polanyi begins from the claim that “man’s economy, as a rule, is submerged in his social relationships” (46). Yet the rise of the idea of a self-regulating market effectively disembeds economic relationships from social relationships and raises the economic as an imagined fundamental nature that precedes and structures the social, rather than the far more longstanding human organization of economic production to meet the requirements of social relationships. How the economic was disembedded from the social, and the reactions of different social institutions to this disembedding, form the heart of Polanyi’s discussion. His focus on the Speenhamland system and the subsequent New Poor Laws means to highlight how poverty went from a problem embedded in a set of social relations (between landowners, the business class, and paupers) to a structural goad in which hunger forces people to work for wages.

To my mind, Polanyi’s argument offers tangible examples of what Stiegler calls—though clearly thinking of more recent events—“the subordination of the technical to the economic system” (102). The key here is how we understand this notion of a technical system. Stiegler explains it as “a dynamic system in which there takes place… a process of individuation” (99). In his commentary on Simondon, David Scott more helpfully explains it to be the system in which norms and values are produced. In effect, it is the realm of subjectivity and culture. He explains, “the subject belongs to the particular reality posing the problem; the technical object’s invention resolves the problem” (196). Hence the technical system should mediate the production of individuals and collectives, and when it becomes subordinate to the economic, the process of individuation becomes corrosive, dissociative, atomizing—what Stiegler calls “a principle of carelessness” (103). Moreover, as the process of individuation slips away from the social, if not the human entirely, it becomes bound to what Marx would recognize as capitalism’s production for production’s sake.

Polanyi makes a related point when he argues that “it was not the coming of the machine as such but the invention of elaborate and therefore specific machinery and plant which completely changed the relationship of the merchant to production” (74-5, emphasis added). One must be careful not to misread this passage as a claim of technological and/or structural determinism: Polanyi insists that the state produced the notion of a self-regulating market. Yet because his focus falls squarely on the creation of a “free” labor market, he does not return to this point. That leaves us hanging, at least in terms of this discussion. What are the norms and values that allow the creation of a very particular technical object, what Marx called constant capital and Polanyi here specifies as plant? The effects on labor through poor law reform offers one view of its effects on individuation, but the more pressing issue would seem to be the role of greed. Albert Hirschman’s work lays out this ideological shift as an agon between the passions, but that’s not quite to the point either. Why the shift to plant? Is it an extension of the disciplinary structure, a mirror to the problems of poor house organization? And what does it mean that, at least for revolutionaries like Marx, plant was also something to be valued? I’ve analyzed this as an attempt to escape the slave/animal/dehumanizing notion of labor elsewhere. But is this not also a question of character? In other words, rather than trace how a technological shift or environmental shift affected character—i.e., the way Foucault has typically been deployed in literary studies—examine how a particular notion of character (and the social world produced alongside it) allows the economic system to subsume the technical system.

My first book tried something along these lines by considering how novels embedded in the financial innovations of the Great Moderation pioneered discourses and practices that could make service workers more pliable and reliable workers. One of the key issues I had in making my argument was causation. What I wanted to get at was something like the process of dual or multi-causation in Simondon—individuals and social relations are produced simultaneously, and then subsequently modulate. This is why genealogy matters for Foucault, right? The disciplinary individual/society pair is both cause and effect. Foucault sets it out as the resolution of a problem that resides in the heart of a factory-based society, yet as a way of acting, organizing, and thinking, it is less the solution than what we might think of as a set of necessary predispositions that the appearance of technical plant crystallizes as its solution. Biopower, then, operates at yet another level of individuation (or perhaps we might think of individuation as multi-dimensional, with biopower operating on another axis from that of discipline), crystallizing those aspects that solve its problem while leaving operative those of discipline, and so on and so on until or unless these processes of individuation come into conflict or the milieus alter in a way that renders prior modes of individuation impossible.

Why does this matter? In terms of character, it raises the question: what was this for? What problem did it solve? How do components of those resolutions continue to operate, or operate over time? In particular, and for reasons that have to do with research I’m conducting now, what does it mean that notions of character become so closely bound to the rise of military volunteerism in the second half of the century? Polanyi argues that one should differentiate national and international finance during this period because national financial interests profited from war and instability while international financial interests (e.g., the Rothschilds) profited from peace. To the extent that international financial interests helped float national debt and shares of various infrastructure projects, those institutions needed stability. The panic of 1890, due largely to the heavy involvement of Barings in Argentina, supports such an argument. Yet its hardly credible to ignore the role of British military power at this moment to threaten countries that hinted at defaulting on their debts. And the Opium Wars were precisely about opening new markets…

I began trying to think through what character really means as a discourse—hence Mill—and for literature asking how it works, how one lives in it, feels it—and now it seems as though it may be part of the milieu necessary for the aggressive militarism of the second Empire.

Works Cited

Polanyi, Karl. The Great Transformation: The Political and Economic Origins of Our Time. Boston: Beacon Press, 1944. 

Scott, David. Gilbert Simondon’s Psychic and Collective Individuation. Edinburgh: Edinburgh UP, 2014.

Stiegler, Bernard. For a Critique of Political Economy. Trans. Daniel Ross. Malden, MA: Polity, 2015.

Mill via Simondon

All paths in my theoretical research right now seem to lead back to Gilbert Simondon, who figures especially large in Massumi’s Ontopower and Stiegler’s For a New Critique of Political Economy.

 [I’ll note here that I have some reservations about Stiegler’s argument that Marx’s notion of proletarianization can be fully captured in what Stiegler calls “the grammatization of gesture” (39) and the subsequent externalization of memory in the technical object. It’s not that the idea isn’t sensible, but it is without a doubt a Simondonian reinterpretation of Marx rather than an exposition of it as such. Marx values the kind of machinic externalization that Stiegler highlights because the centralization of labor power in machines offers an opportunity for expropriation. In Theories of Surplus Value and the Grundrisse, when he discusses what we would understand to be proletarianization, Marx initially focuses on profit-taking and wage-relations before coming to the conclusion that machinic externalization matters most for these political reasons. The reason I emphasize this difference—and I discuss this in chapter one of my book—is that it elides issues of domination in capitalism, most especially their effects on the construction of gendered and racialized subjects. Much as I appreciate Stiegler’s discussion of grammatization and what he calls the technical individual—highlighting the individuation of technical objects and the elision of the humans from contemporary processes of individuation and collectivity—this aspect of his argument threatens to smooth over historical and theoretical problems that we need to think through in discussions of service economies.]

But what does Simondon have to do with Mill? I’m not sure I can answer that question fully yet, but it does seem to me that their theories of character and individuation bear interesting similarities. In part, this seems to be an effect, at least for Simondon, of Spinoza’s influence. I’ve read more about Spinoza than I like to think about, but this account of Spinoza from Pierre-François Moreau in David Scott’s book on Simondon was particularly striking after my reflections on character in Mill:

Moreau writes: “The feeling of finitude is the condition for the feeling of eternity and even, in a sense, it is the feeling of eternity.” Moreau believes that it is this same movement which in Spinoza permits the soul’s acceding to necessity while conscious that not everything is immediately necessary; as a result, it confronts its powerlessness, cultivating the aspiration for an escape from contingency. (81)

Simondon, Scott argues, discovers in the process of individuation the drive of necessity—something much like Spinoza’s conatus—as well as what he calls “the feeling that acknowledges the failure of individuation to ever complete itself, to be not yet completed in the collective” (81). This incompleteness is central to Simondon’s understanding of individuation, not as a lack but rather as an excess that allows new points of individuation to transpire. Rather than lack, individuation contains an incompatibility that opens not into a pre-existing collective but rather to the pre-individual. The results thus describe the constant process of individuation as the construction of individuals, subjects, and collectives from a field of the pre-individual.

On its face, this sounds very little like Mill. Certainly, Mill follows the hylomorphism that Simondon’s project attacks, and his imagined Ethology confronts without solution many of the problems of the constitution of individuals and societies that Simondon’s approach means to solve. Yet the feeling of incompleteness in Simondon suggests Mill’s feeling of moral freedom, the feeling that one is at once subject necessity and yet could do otherwise. The two notions are genetically different insofar as Simondon’s incompleteness means an embrace of difference and change as part of the individual, whereas Mill’s character is so determined by circumstances and habits that change is at best a distant and difficult possibility. And this is without attempting to account for the multiple levels of individuation and subjectivation in Simondon.

Yet I want to imagine Mill’s character, if only for a moment, in a different way, sans passive voice. What difference is there in saying character is formed by habits, rather than habits form character? Take habits as impersonal, character as a result of a cluster of habits, society as the habits of a cluster of characters. The contingencies that thwart Mill’s attempts to imagine a workable Ethology become a space of potentials…

Is it in Mill, if pushed hard enough, if turned in unexpected ways?

Mill’s feeling and determinism

Part two of a continuing series about Victorian character. First part here.

Last time, I tried to highlight what Mill calls “the feeling of moral freedom” (27) that informs his notion of a deterministic / ”necessitarian” logic of character as the possibility of self-improvement. Circumstances determine one’s various willed actions that, once congealed, become habits and the basis of one’s character, but Mill insists that a space of agency remains in order to allow individuals to alter their circumstances and thus their habits. Moral freedom is the feeling of this space, the ability to trouble one’s circumstances and habits, even if not an ability that one uses.

Mill needs character to be deterministic because he wishes to propose a new science, Ethology, “the science which corresponds to the act of education, in the widest sense of the term, including the formation of national or collective character as well as individual” (54). Mill wants Ethology to be a deductive science—in other words, to begin from general principles and thus to adduce facts—and sees this as approaching questions of psychology from a more speculative ground. It’s clear that Ethology would be a political science, allowing one to analyze the psychological, historical, and social context before offering prescriptions. Hence Mill’s consistent turn to “national character” (52), a turn of phrase that may call to mind Betteredge’s jokes about Franklin Blake’s many-sided character in The Moonstone. Mill admits the “high order of complexity” (50) such analysis would have to address, but rejects experimental science precisely because of the difficulty replicating such complexity. By contrast, the reductiveness of political economy—what he calls “the geometrical, or abstract method” (74)—he views as more effective in its ability to find functional prescriptions. However, he dislikes the Utilitarian position—essentially, a prescriptive reading of the final book of Smith’s Wealth of Nations­—that political rulers retain power by ensuring that their interests as rulers are “identical with that of the governed” (78). Instead, Mill writes:

I insist only on what is true of all rulers, viz., that the character and course of their actions is largely influenced (independently of personal calculation) by the habitual sentiments and feelings, the general modes of thinking and acting, which prevail throughout the community of which they are members, as well as the feelings, habits, and modes of thought which characterize the particular class in that community to which they themselves belong. (79)

The deductive principles that should be all controlling—identical selfish interests—are instead opened to variation through “habitual sentiments and feelings.” Mill’s argument is poised and ready for the arrival of Darwinian natural selection, and it’s easier to see how Huxley’s arguments might have their genesis in a shared worldview with this aspect of Mill. Self-interest may be the controlling characteristic of the individual, but feeling has shaped that interest in ways that political economy has failed to take into account. More than that, Mill goes as far as to argue that the “responsibility to the governed is the only means practically available to create a feeling of identity of interest… where that feeling does not sufficiently exist” (80). At first, I read this as a potential privileging of social feeling over political economy’s selfish interests. That’s a positive way to interpret this focus on feeling. Yet on further reflection it seems equally possible that Mill proposes something much more troubling here: feeling separates the political economic identities of interest to reveal the power of political sentiments as separable from economic determinations. There’s a certain realism to this analysis, but it also indicates a sense that rulers can—and likely should—focus their attention on this shared feeling rather than shared prosperity. When one considers that these ideas come from a man who had already been working for the East India Company for eleven years when the Logic was first published in 1844, it’s difficult not to see the attempts to reground political economy in a broader sense of shared feeling as bound up with the discursive mechanisms of colonial exploitation.

Increasingly, then, Mill uses feeling to create a kind of Althusserian relative autonomy within his imagined science of character-determinism. On the one hand, feeling ameliorates the individual’s experience of determinism as a kind of virtual agency, and authorizes the determinism that Mill needs to deduct individual actions from general principles as a consciousness of one’s (limited) freedom to alter one’s circumstances. On the other, feeling offers rulers a tool that allows them to maintain distinct interests and outcomes from those of their subjects. My kneejerk Marxist reaction is to call this manipulation through feeling, but that is likely too reductive. At another level, couldn’t one say that it is rather that feeling becomes the space of the political? Moreover, it is a politics deeply bound to a forward-projecting temporality, an affection of the present that means to alter the future. Collini describes the Victorian notion of character in one memorable phrase as “traveling… to unknown futures” (113), but, insofar as I can tell, he doesn’t focus on how this opening of temporality operates through feeling. It is that binding of sentimentality and temporality that, one might say, feels most Victorian.


Works cited

Collini, Stefan. Public Moralists: Political Thought and Intellectual Life in Britain 1850-1930. Oxford: Clarendon Press, 1991.

Mill, John Stuart. The Logic of the Moral Sciences. La Salle, IL: Open Court, 1988.

New project: On character

I’m trying to think through ideas for a new project about Victorian character, economics, the professions, and war. To start, I want to focus on Mill and character. When it comes to literature and economics, critics often, rightly, treat character as a function of credit, and it is in many respects both the foundation of personal credit and a trope readily mapped to eighteenth-century texts like Defoe’s Roxana. As a Victorianist, I’ve long thought of character in this way while acknowledging that it is also part of a broader discourse of character that operates in tandem with notions like respectability and gentlemanliness. For this reason, JS Mill’s discussion of character in his Logic is far more pivotal than one might expect, both for what Mill has to say about individual and national characters and about the difference between his proposed science of character, what he calls Ethology, and political economy.

Here are the basics of character for Mill. Mill argues for character-based determinism: “our actions follow from our characters, and our characters follow from our organization, our education, and our circumstances” (26). Circumstances are crucial to Mill’s discussion of character throughout the final book of the Logic, since a science of character that encompasses an entire society finds itself hemmed in by the manifold nature of the circumstances that an analysis must take into account. Circumstances also provide the crux for Mill’s argument that his determinism, which he calls Necessitarianism, differs from fatalism. Mill’s basic point is that one can alter one’s character by altering one’s circumstances. One might call this Mill’s Victorian logic of self-improvement: I am who I am because of my circumstances but I can strive to alter my circumstances and thus myself. By contrast, fatalism sees no possibility for such alteration. (Hardy’s use of fatalism in Tess of the d’Urbervilles, for example, seems a rejoinder to Mill’s argument here.) One can intervene at the level of circumstance. Mill writes:

They made us what they did make us by willing not the end, but the requisite means; and we, when our habits are not too inveterate, can, by similarly willing the requisite means, make ourselves different. If they could place us under the influence of certain circumstances, we in like manner can place ourselves under the influence of other circumstances. We are exactly as capable of making our own character, if we will, as others are of making it for us. (26-7)

In other words, one may will a new set of circumstances or means, and these may shape character if the habits that make up that character “are not too inveterate.”

Mill’s approach indicates that character has to be shaped indirectly, but the process of character shaping relies on a purposeful remaking of means to achieve a particular end.

So far, so good—and about what one would expect to find in Mill given Stefan Collini’s account of character and Mill in Public Moralists. I’ll return to Collini in another entry. For the moment, three questions come to mind as I look at this material: 1) How can one tell if a habit is too inveterate? 2) If character must be reshaped indirectly, how successful can a purposeful (i.e., ends-focused) reshaping of circumstances be? and 3) What does Mill mean by “if we will”—including his emphasis of the phrase? The first question I can’t answer yet. I am tempted to believe Mill would call a habit inveterate if it were simply too appetitive, but the issue isn’t taken further in the Logic. The second and third, however, receive more explication. Mill’s insistence that one can alter one’s character seems to rely as much on a sense that one could alter one’s character as the reality that one does alter it. He continues:

this feeling of being able to modify our own character if we wish, is itself the feeling of moral freedom … A person feels morally free who feels that his habits or his temptations are not his masters, but he theirs; who even in yielding to them knows that he could resist; that were he desirous of altogether throwing them off, there would not be required for that purpose a stronger desire than he knows himself to be capable of feeling. (27)

What strikes me in this passage is Mill’s focus on the “feeling” of possible change, highlighted by the repetition of the emphatic “if.” Moral freedom is the experience of a virtual space in which one may alter “habits or … temptations”—an interesting combination of skill/repetition and desire—rather than the experience of alteration as such. The notion is reminiscent of the problem of impulse and character in Stevenson’s Jekyll and Hyde, in particular the apparent laxness of morals that Utterson finds acceptable for gentlemen in the opening chapters. Good character is the knowledge that one could resist habit or temptation, not that one does. This sounds like hypocrisy, and one can readily locate versions of Victorian hypocrisy that fit such a description, but I’d hazard that Mill wants to specify something quite different. There’s habit, temptation, and the space of feeling in which one can insert difference or unmoor what seems so stable. Is this related to James’s specious present or the problem of habit as the experience and elision of the present that Massumi locates in Ontopower? What is this feeling, and how does it work?

One way to think about this issue is to look at how Mill describes habits. Temptations aren’t suitable for discussion, apparently. Habits, he writes, are formed through acts of will that anticipate pleasure or pain, but that “we at last continue to will it without any reference to it being pleasurable” (29). Habit dislocates will from utilitarian considerations and their repetitions become what Mill calls “purpose” (ibid.) before insisting that “only when our purposes have become independent of the feelings of pain or pleasure from which they originally took their rise that we are said to have a confirmed character” (ibid.). In sum, from habit to habitus. A feeling of potential difference in respect to habit, then, offers a way to trouble the habitus, to render one’s character unconfirmed.

Next: How this dislocated feeling relates to political economy and Ethology as a search for a study of feelings than the greed via a surfeit of circumstances.

Works Cited

Mill, John Stuart. The Logic of the Moral Sciences. La Salle, IL: Open Court, 1988.

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