Books
Capitalism Hates You: Marxism and the New Horror Film (University of Minnesota Press, 2025)
Dickensian Affects: Charles Dickens and Feelings of Precarity, Routledge, 2020.
The Victorian Novel, Service Work, and the Nineteenth-Century Economy, Palgrave Macmillan, 2015.
What’s The Victorian Novel, Service Work, and the Nineteenth-Century Economy about?
Book chapters
“The Anxiety of Inheritance: Work and the Impasses of Accumulation in Dickens’s The Old Curiosity Shop.” Political Economy, Literature, and the Formation of Knowledge, edited by Richard Adelman and Catherine Packham, Routledge, 2018, pp. 183-202.
“Victorian Fiction and Finance.” In Teaching Victorian Literature in the 21stCentury: A Guide to Pedagogy, edited by Jen Cadwallader and Laurence W. Mazzeno, Palgrave, 2017, pp. 69-82.
“Beyond Panopticism: The Biopolitical Labor of Surveillance and War in Contemporary Film.” In Philosophy of War Films, edited by David LaRocca, University of Kentucky Press, 2014, pp. 155-78.
“Objects / Desire / Oedipus: Wes Anderson as Late Capitalist Auteur.” In The Films of Wes Anderson: From Early Shorts to Blockbuster Films, edited by Peter Kunze, Palgrave, 2014, pp. 181-98.
Articles
“‘Damn All White Men and Down With Labor’: Race and Genre in Wilkie Collins & Charles Fechter’s Black And White.” Nineteenth Century Theatre and Film, vol 49, no. 1, 2022, pp. 71-87, https://DOI: 10.1177/17483727211041850
“‘Imbecile Hopes’: Dispositions of Subjectivation in Joseph Conrad’s Lord Jim and Nostromo.” Textual Practice, 2021, https://doi.org/10.1080/0950236X.2021.1900367.
“Tarantino’s Cruel Optimisms.” LIT: Literature Interpretation Theory, vol. 30, no. 1, 2019, pp. 5-24, https://doi.org/10.1080/10436928.2019.1560877.
“Figures of Nineteenth-Century Biopower in Samuel Butler’s Erewhon.” Nineteenth-Century Contexts, vol. 36, no. 1, 2014, pp. 53-71.
“Black Friday: The Collapse of Overend, Gurney, & Co. on 11 May 1866.” BRANCH: Britain, Representation and Nineteenth-Century History. Ed. Dino Franco Felluga. Extension of Romanticism and Victorianism on the Net. Web.“Militants and Cinema: Digital Attempts to Make the Multitude in Hunger, Che, Public Enemies.” Wide Screen vol. 3, no. 1, 2011, pp. 1-36.
“‘The Shape of Credit’: Imagination, Speculation, and Language in Nostromo.” Texas Studies in Literature and Language vol. 52, no. 3, 2010, pp. 266-97.
“Narrative Labor in Wilkie Collins’s The Moonstone.” Lit: Literature Interpretation Theory vol. 21, no. 2, 2010, pp. 119-43“‘Making a Go of It’: Paternity and Prohibition in the Films of Wes Anderson.” Cinema Journal vol. 47.1 (2007): 26-48.
Short Pieces
Review of Bruce Robbins The Beneficiary in Canadian Review of Comparative Literature vol. 46, no.3, 2019, pp. 519-22.
“Work.” Victorian Literature and Culture vol. 46, no. 3-4, 2018, pp. 948-50. https://doi.org/10.1017/S1060150318001262
“The Ending of David Lean’s Great Expectations.” Streaky Bacon (2015).
Review of Anna Kornbluh’s Realizing Capital in Nineteenth-Century Prose 42.2 (2015): 370-3.
“Samuel Butler.” The Encyclopedia of Victorian Literature. Ed. Dino Felluga, Pamela K. Gilbert, and Linda K. Hughes. New York: Blackwell Publishing, 2015.
“Introduction: Waste.” Iowa Journal of Cultural Studies 10/11 (2009): 3-8.
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